Essais littéraires et philosophiques en anglais
The first ever collection of stories from the bestselling and beloved author of Swing Time and White Teeth 'Zadie Smith is the best writer of our generation' Gary Shteyngart 'Her dialogue is pitch-perfect, her comic timing masterful... [And] she also delivers a sophisticated commentary on race, gender, class, celebrity and power' Telegraph on Swing Time 'Smith is virtuosic, as ever, on family and friendship, and her ability to write about large-scale social injustice without losing her neutral novelist's gaze is breathtaking' Times Literary Supplement on Swing Time In the summer of 1959, an Antiguan immigrant in north west London lives the last day of his life, unknowingly caught in someone else's story of hate and division, resistance and revolt. A mother looks back on her early forays into matters of the human heart - and other parts of the human body - considering the ways in which desire is always an act of negotiation, destruction, and self-invention. A disgraced cop stands amid the broken shards of his life, unable to move forward into a future that holds no place for him. Moral panic spreads like contagion through the upper echelons of New York City - and the cancelled people look disconcertingly like the rest of us. A teenage scion of the technocratic elite chases spectres through a premium virtual reality, trailed by a little girl with a runny nose and no surviving family. We all take a much-needed break from this mess, on a package holiday where the pool's electric blue is ceaselessly replenished, while political and environmental collapse happen far away, to someone else. Interleaving ten completely new and unpublished stories with some of her best-loved pieces from the New Yorker and elsewhere, Zadie Smith presents a dizzyingly rich and varied collection of fiction. Moving exhilaratingly across genres and perspectives, from the historic to the vividly current to the slyly dystopian, Grand Union is a sharply alert and prescient collection about time and place, identity and rebirth, the persistent legacies that haunt our present selves and the uncanny futures that rush up to meet us.
Staring down the barrel of her fortieth year, Samantha Irby is confronting the ways her life has changed since the days she could work a full 11 hour shift on 4 hours of sleep, change her shoes and put mascara on in the back of a moving cab and go from drinks to dinner to the club without a second thought. Recently, things are more 'Girls Gone Mild.' In Wow, No Thank You Irby discusses the actual nightmare of living in a rural idyll, weighs in on body negativity (loving yourself is a full-time job with shitty benefits) and poses the essential question: Sure sex is fun but have you ever googled a popular meme?
Zahra Hankir (Author, Edited by) Zahra Hankir is a Lebanese British journalist who writes about the intersection of politics, culture and society in the Middle East. Her writing and journalism have appeared on BBC News, Bloomberg News, Vice and Al Jazeera English, and in Roads & Kingdoms and Literary Hub, among other media outlets. She was awarded a Jack R. Howard Fellowship in International Journalism to attend the Columbia Journalism School and holds degrees in Politics and Middle Eastern studies from the American University of Beirut and the University of Manchester.
B>The controversial Sunday Times bestseller./b>br>b>/b>br>b>Candid, fearless and provocative /b>b>-/b>b> the author of American Psycho on who he is and what he thinks is wrong with the world today. /b> Bret Easton Ellis is most famous for his era-defining novel American Psycho and its terrifying anti-hero, Patrick Bateman. With that book, and many times since, Ellis proved himself to be one of the world's most fearless and clear-sighted observers of society - the glittering surface and the darkness beneath.In White, his first work of non-fiction, Ellis offers a wide-ranging exploration of what the hell is going on right now. He tells personal stories from his own life. He writes with razor-sharp precision about the music, movies, books and TV he loves and hates. He examines the ways our culture, politics and relationships have changed over the last four decades. He talks about social media, Hollywood celebrities and Donald Trump. Ellis considers conflicting positions without flinching and adheres to no status quo. His forthright views are powered by a fervent belief in artistic freedom and freedom of speech. Candid, funny, entertaining and blisteringly honest, he offers opinions that are impossible to ignore and certain to provoke. What he values above all is the truth. 'The culture at large seemed to encourage discourse,' he writes, 'but what it really wanted to do was shut down the individual.' Bret Easton Ellis will not be shut down.